9:1 And the fifth angel sounded, and I saw a star from the sky having fallen to the land, and the key of the pit of the abyss was given to him. 2. And he opened the pit of the abyss and smoke went up from the pit like the smoke of a great furnace. And the sun and the air from the smoke of the pit was darkened.
Ancient Jews did not view the stars as balls of burning gas. These were heavenly beings, "watchers" even. Musings abound about the star over Bethlehem. Was it a comet, for example? But it is more likely that they thought it was an angel.
And so, when the fifth angel sounds the trumpet, the star that has fallen to the land turns out to be a heavenly being. We get slightly mixed signals about whether this is a good or bad angel. On the one hand, he has been given a key, which suggests he might be good. Yet, he has fallen and thus could be a bad angel. Perhaps the majority see this as a good angel, although it fits better with verse 11 to see him as a fallen angel. [1]
When we get to the second vision in chapter 12, we will hear that Satan and his angels fall to earth. The passage is not talking about a fall of Satan before the time of Adam. It refers to the defeat of Satan in heaven after Christ's resurrection.
The fall here and the fall in Revelation 12 could thus refer to the same basic truth. Now that the Lamb has been slain, the seals of final judgment have been opened. And Satan's doom is sure, along with all those heavenly beings who have sided with him.
It is perhaps another indicator that much of Revelation is a repetition of the same basic concepts in different ways.
3. And out of the smoke came out locusts on the land and authority was given to them as the scorpions of the earth have authority. 4. And it was said to them that they not harm the grass of the land, neither any green thing nor any tree except the people who do not have the seal of God on the foreheads.
The image of the locusts has given rise to speculation about helicopters, drones, and the like in the end times. However, the significance of the locusts likely has much more to do with the past than being an image of technology in the distant future. Once again, locusts were one of the plagues of Egypt.
The point of the image is to parallel God's judgment on Rome (as we will see) with the judgment with which God visited on Egypt.
A large number of interpreters on all sides would agree that the locusts symbolize something other than literal locusts. The question is how detailed the symbolism is and what they actually represent. Many dispensational futurists see them as a specific thing of the future, like a drone. The idealist says that it is the universal consequences of wickedness that is the point. Perhaps we might say that the point is not the individual items or moments within the apocalyptic sequence here but the overall "Gestalt" or impression of judgment that we should take away.
The locusts are not to harm the grass of the land. This is puzzling because all the grass was already destroyed in 8:7 with the opening of the first trumpet. This is a strong indicator that the sequence of events are not an actual progression in time. Rather, we are seeing the same images of judgment over and over.
In other words, the symbols should not be interpreted on a one to one or detailed level. It is rather the overall Gestalt of judgment we should pay attention to.
The seal of God on the foreheads of the righteous was already introduced in 7:2-3. Interestingly, few interpreters take this as a literal mark, although futurists regularly take the mark of the beast as a literal mark of some sort. However, to be consistent, we probably should not take these as literal or visible seals or marks.
5. And was given to them that they might not kill them but that they will be tormented five months. And their tormenting [was] as the tormenting of a scorpion whenever it should sting a person. 6. And in those days, people will seek death and they will not find it. And they will desire to die and death flees from them.
Five months may seem a curious amount of time if you aren't a farmer living in a place where they are a threat. But in Israel, five months was the time of the dry season, the time when locusts were a threat. Indeed, the life cycle of a locust is about five months. In the end, we do not know for certain the precise meaning of the five months. Many commentators simply see it as a "round number" without a specific meaning.
The idea of life's circumstances or suffering making death preferable to life appears a couple of places in the Old Testament. Certainly Job at one point preferred death to his suffering (Job 3:21), but thankfully God did not oblige him nor did he take his own life. In Jeremiah 8:3, the survivors of those who corrupted Israel would rather die than endure their current suffering. The theme can also be found in related apocalyptic literature. [2]
This is of course the stark prospect of eternal punishment. Death is infinitely preferable, literally.
7. And the likenesses of the locusts were like to horses having been prepared for war and upon their heads as crowns like to gold and their faces as faces of humans. 8. And they were having hairs as the hairs of women and their teeth were as those of lions. 9. And they were having breastplates as breastplates of iron and the sound of their wings as the sound of chariots of many horses running into battle. 10. And they have tails like scorpions and stings. And in their tails [is] their power to harm mortals for five months.
What a vivid image! There are of course futurists who see this as John's attempt to describe things that were foreign to his world (again, like helicopters), and thus they would see a detailed metaphor here for literal entities of the end times.
Preterists might hear in this imagery metaphors for entities of John's day. For example, the Roman historian Suetonius described Parthian warriors as having long hair, as Revelation describes the locusts here. [3] The image of armies from the east is frequent enough in Revelation to wonder if the rumor that Nero would return with the Parthians to bring vengeance on Rome stands to some degree in the background of such imagery (cf. 9:14 subsequently).
The book of Joel provides key background for the locust imagery, although there it is at least possible that literal locusts were in view. The idealist would say that the locusts do not represent armies in any specific time or place but the certainty of judgment for those who oppress God's people.
Craig Keener notes that scorpion stings bring great pain but not usually death. [4] This perhaps adds to the imagery in verse 6 about desiring death but not getting it.
11. They have over them a king, the angel of the abyss, whose name in Hebrew is Abaddon and in the Greek, he has the name Apollyon.
This king would seem to be a demonic angel rather than a good angel such as Uriel (cf. 1 Enoch 20:2). He is possibly the same angel that fell in verse 1.
Revelation's attention to the names in different languages perhaps provides us with a useful window into the book's way of thinking about names (also in 16:16). At the end of this chapter, we will hear the number 666 as the number of a name, and it would fit if this number proves to be "gematria," the use of a correlation between letters and numbers to unlock key symbolism.
You'll note the similarity between the name of the Greek god Apollo and the word apollyon. The Greek tragedian Aeschylus in fact noted the relationship between Apollo and the verb to destroy. [5] Some scholars suggest that Revelation is deliberately mocking the god Apollo.
In the same vein, the Emperor Domitian sometimes thought of himself as Apollo incarnate. [6] It is at least possible that the book of Revelation is mocking the emperor Domitian, perhaps another bit of evidence that the book reached its final form during his reign.
12. The first woe has gone away. Behold, still two woes are coming after these things.
We have already seen that Revelation tends to group the first four of a series of sevens together, with the final three also going together. With the seven trumpets, the last three go together as three "woes."
Additionally, with the seven seals, the last three focused more on the spiritual realm than the earth. So also here, the first four trumpets released judgment on the earth, and the last three relate to the world of the spirit. But instead of looking to heavens, the last three trumpets look to the underworld and the world of the demonic. [7]
[1] For some of the different interpretations, see Leon Morris, Revelation (IVP Academic, 2009), 126.
[2] The Sibylline Oracles in particular: 2.307–8, 8.353, 13.118.
[3] Suetonius, Vespasian 10, pointed out by Craig Keener, The NIV Application Commentary: Revelation (Zondervan, 2000), 268 n.10.
[4] Keener, Revelation, 268.
[5] Agamemnon 1082
[6] So, among others, G. B. Caird, A Commentary on the Revelation of St. John the Divine (Harper & Row, 1966), 120.
[7] J. P. M. Sweet, Revelation (Westminster, 1979), 162.
No comments:
Post a Comment