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| Albrecht Dürer woodcut, angel sounding trumpet |
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8:1 And when he opened the seventh seal, a silence came about in the sky of about a half hour.
In Revelation 6, the Lamb opened six of the seals, beginning the days of judgment that coincide with the end of the great tribulation. Then in Revelation 7, there was an intermission in the opening of the seals. We saw what was happening in heaven as the final judgment was beginning on earth. Revelation 8 then returns to the final seal, the seventh seal, which represents the completion of the judgment.
Again, this is not a literal picture of what will happen. Revelation is an apocalypse. It uses fantastical imagery that gives us the feeling of tribulation and judgment, not a literal movie. For example, the number seven is symbolic. It signifies completion. The half an hour of silence, like the intermission, builds up to the end. We are getting ready for the end. It’s like a runner taking a deep breath before the gun goes off.
2. And I saw the seven angels who have stood before God, and they gave to them seven trumpets.
In Revelation 1, the seven angels are the angels of the seven churches (1:20). There, these angels probably do not just represent the seven churches of Asia Minor. They probably are meant to represent the entire worldwide church. Revelation 8 does not explicitly connect its seven angels with the angels of Revelation 1, but the fact that seven angels are mentioned in both places could imply that they are the same. If so, it would suggest the earth is about to experience judgment not least for the way it has treated the churches of God.
However, other interpreters see them as the seven highest archangels. In Tobit 12:15 (which many Jews at the time considered Scripture), the archangel Raphael speaks of seven holy angels who present the prayers of the saints to God. Similarly, 1 Enoch 20:1-8 mentions seven archangels: Uriel, Raphael, Raguel, Michael, Saraqael, Gabriel, and Remiel. Jude 14-15 quotes from the same section of 1 Enoch, suggesting that at least some early Christians may have considered it Scripture.
It does not have to be one or the other. However, the similarity in the function of the archangels to what happens in this chapter may suggest that we should view the angels of Revelation 8 as different angels from those in Revelation 1.
Just as there were seven seals, there are seven trumpets, blown by these seven angels. When the seventh seal is opened, the seven trumpets commence. And the vindication of God’s church begins.
3. And another angel went and stood upon the altar of incense, having a golden censor. And was given to him much incense so that he will give [it] with the prayers of all the saints upon the golden altar that is before the throne. 4. And the smoke of the incense went up with the prayers of the saints from the hand of the angel before God.
The presence of the altar of incense in heaven implies something that has not been made explicit thus far in the vision. The throne room of heaven is none other than the heavenly Holy of Holies. The vision of Revelation 4-5 is in the heavenly sanctuary.
The sermon we call Hebrews in the New Testament builds on this same common understanding within Judaism. The earthly sanctuary was actually patterned on the true, heavenly one (Heb. 8:1, 5). Interpreters of Hebrews debate how exact a replica it is. I personally believe it is not an exact representation. For example, I do not believe there is an outer room in the heavenly sanctuary and that the heavenly sanctuary is more or less equivalent to the highest heaven. [1]
In both Hebrews and implicitly here in Revelation 8, the altar of incense is inside the Most Holy Place. This is interestingly different from the description in Exodus 30:6 and suggests that both were tapping into a common tradition in the late first century. It is fairly clear here that the altar of incense was associated with the prayers of God’s people.
Although it is perhaps a strange image to us, these verses draw on the common ancient sense that God delights in the smell of sacrifices. In this case, wafts of the smoke from the incense from the altar go up to God. Presumably, they fill his nostrils to his delight. Of course, this is merely a picture. God does not have a literal nose.
What he is smelling is the prayers of the saints, the holy ones set aside to him. Believers, in other words. The content of their prayers is presumably a cry for justice in the face of their persecution. “How long, O Lord?” was the cry of the souls under the altar in Revelation 6:10. The angel burns incense on the altar to initiate judgment finally to the earth for their mistreatment.
5. And the angel has taken the censor and filled it from the fire of the altar of incense, and he cast it to the earth. And thunders and sounds and lightnings and earthquake took place.
What is the result of the burned incense? It has first gone before God. Now, it comes to the earth.
We can see easily enough what is happening here. The prayers of the saints have risen to God for justice. As a result, the fire of justice is cast down to the earth. After all, the seventh seal has been opened. Everything to this point is preparation. Now the final act begins.
Thunder, lightning, and earthquake remind us of God’s descending on Mt. Sinai (Exod. 19:16-18). The audience of Revelation would recognize them as the imagery of theophany. It is not just the fire that is coming down to the earth. God himself is descending.
6. And the seven angels who had the seven trumpets prepared them in order to sound. 7. And the first angel sounded the trumpet, and hail and fire having been mixed with blood was cast to the earth. And a third of the land was consumed and a third of the trees was consumed and all the green grass was consumed.
Revelation 8 starts with four trumpets. There will be three more trumpets when we get to chapter 9. The trumpets thus follow a similar pattern as the seals. Remember, the first four seals involved the four horsemen, and then there were three more.
Similarly with the trumpets, we have the first four trumpets. Then there is a pause of the first four trumpets at the end of the chapter. Then the final three trumpets come in a group.
And of course, things get worse and worse as it goes along. The events that accompany the trumpets echo the plagues God sent on Egypt. For example, the hail and fire of the first trumpet is like the seventh plague that falls on Egypt (Exod. 9:24). God is delivering his people from the new Egypt, which is Rome.
In verse 6, the seven angels with the seven trumpets get ready to sound. In verse 7, the first angel sounds, and hail and fire fall. These are mixed with blood, again echoing the seventh plague on Egypt.
It is cast upon the land. A third of the land is burned up and a third of the trees is burned up and all the green grass is burned up. This is probably not a literal picture, but we’re getting a clear feel for the great devastation that is coming. The final judgment has begun.
8. And the second angel sounded the trumpet, and [something] like a great mountain burning with fire was cast into the sea and the third of the sea became blood, 9. and the third of the creatures in the sea died, the ones having life, and the third of the ships was destroyed.
The second angel sounds, and something like a great mountain burning with fire is cast into the sea. Again, given the general nature of apocalyptic, we probably shouldn’t assume that something like a meteor will fall into the sea during the final judgment. While such things are of course possible, that’s probably not how the imagery works. It’s the Gestalt, not the literal image.
The sea turns to blood. Once again, this is a fairly clear allusion to the first plague on Egypt in Exodus 7:20-21. As God judged Egypt, so God will judge Rome.
We are seeing that all the parts of the creation are experiencing a kind of sympathetic judgment. It’s not that the trees have sinned. It’s not that the water has sinned, although water usually does have the connotation of negative chaos in ancient culture.
However, in this case, there is a sympathy between the waters and the plight of humanity. Creation currently groans for redemption with us (Rom. 8:19-22). Soon, there will be a new creation. The old creation will be removed, and that is part of what this sequence symbolizes here.
10. And the third angel sounded the trumpet, and a great star fell from the sky, burning like a lamp. And it fell upon the third of the rivers and upon the springs of waters. 11. And the name of the star is called, "The Absinthe." And the third of the waters turned into absinthe. And multitudes of humans died from the water that was made bitter.
Next, the third angel sounds his trumpet. Now a star falls from the sky, a great star burning like a lamp. It falls on a third of the rivers and upon the springs of the waters. These are now the inland waters rather than the sea.
The name of the star is called “Absinthos.” That is to say, “Wormwood.” Wormwood is a bitter plant, absinthe in Greek, and it turns a third of the waters into absinthe, into wormwood. Many people die as a result from the waters. The bitter water is poisonous.
This time, the imagery is not a plague but may allude to two other Old Testament texts. One is the bitter waters of Marah in Exodus 15. They need to be sweetened before Israel can drink them. Here, of course, God makes the waters bitter.
Alternatively, the wording is very similar to the Greek of Jeremiah 23:15, where God threatens to feed Israel “wormwood” and “poisoned water” as judgment. While Rome is the primary target of the judgment, we might remember that it is quite possible that Jerusalem has also just been destroyed as part of God’s judgment.
The star in Revelation 9 is a heavenly being, possibly Satan. Here, however, there is no clear indication that Wormwood is a demon or a fallen angelic being. The Old Testament passages mentioned above seem more likely background for the image.
12. And the fourth angel sounded the trumpet, and the third of the sun and the third of the moon and the third of the stars was struck. And the third of them so that the third of them might be darkened and the day might not appear--the third of it and the night similarly.
The fourth angel sounds. Now, a third of the sun, a third of the moon, and a third of the stars are darkened. Day does not appear for a third of its normal time.
Craig Koester notes that some of these objects have already been subject to God’s judgment.[2] The sun was already darkened in Revelation 6:12. The moon has already turned to blood (6:12). He reminds us that the visions of Revelation are not linear. We are getting the same images from different perspectives. And none of them are meant to be taken literally.
The visions are much more like a kaleidoscope, where we get a picture from one side and a picture from another. But none of it is meant to be taken as exactly the way that the judgment will happen. Nevertheless, with the fourth trumpet, all the cosmos has been affected. We’ve seen the seas affected. We’ve had the lands affected.
And now the sky itself has become part of the judgment. The stars, the moon, the lights—we see all the realms of creation are now part of the judgment. This is the destruction of the world as John pictured it.[3]
13. And I saw and I heard one eagle flying in the middle sky, saying with a mighty voice, "Woe, woe, woe in relation to those dwelling on the earth from the rest of the sounds of the trumpets of the three angels about to sound the trumpet."
8:13 is the pause mentioned earlier that comes between the first four trumpets and the last three. The first four trumpets repeat the judgment of the whole cosmos. Now, as the judgment intensifies, three woes will accompany the final three trumpets.
The eagle speaks from the “middle sky” or the “middle heaven.” We remember that Paul once mentioned being taken up into the “third heaven” or the “third sky” (2 Cor. 12:2). We know from the Jewish literature of the time that some Jews thought that there were three layers to the heavens above as you ascended to God in the highest heaven (e.g., The Testament of Levi). God was in the third sky. The first sky was the sky immediately above us, leaving the middle sky for angelic beings.
This will not be the last time that a heavenly being speaks from the middle sky. In the second vision, three angels speak to the earth from the middle sky (Rev. 14).
The eagle can speak. Its words are a preface to the last three trumpets. In effect, it is saying, “You haven’t seen anything yet.” We should note that the word for “eagle” can also be translated as “vulture.” Robert Mulholland argues that vultures might be a better translation because they are associated, after all, with carrion and death. They hover over things that are dying or about to die.
Either way, the imagery is ominous. [1] See Kenneth Schenck, Explanatory Notes on the Sermon of Hebrews (Cascade, 2023).
[2] Craig Koester, Revelation and the End of All Things (Eerdmans, 2001), 97.
[3] John didn’t think of there being galaxies in the universe. Alpha Centauri is not being judged in the book of Revelation. Such an idea would have been completely foreign to John. Distant black holes are not being judged. The whole universe is not being judged. Our earth is the scope of this judgment.
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