The previous post started this chapter on "Interpreting Genesis 1."
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4.2.1 The Nature of Genre
We ended the previous section by saying that the interpretation of Genesis 1 in the end depends largely on the genre of the chapter. Genre is the type of literature something is. The same words might make us laugh or cry depending on whether they are situated in a comedy or a tragedy. For example, the words "He fell off the roof" might be funny in one movie but tragic in another. Accordingly, it is difficult to know whether to read the days of Genesis 1 literally or figuratively until we have first considered what kind of text Genesis 1 was intended to be.
Here we reach an important principle in reading the Bible in general. Many Christians affirm that the Bible is God's word for us -- a conviction Christians have held throughout the centuries. Yet this conviction can sometimes lead us to assume that reading the words in modern English automatically reveals what they meant in their original setting.
But the words of Scripture were not first written to us. They were written in other languages long before English even existed. The meanings of the words made sense to the people for whom these books were first written -- ancient Israelites, Romans, Corinthians, Thessalonians, and so forth. Even in our own families today, the way our parents or grandparents use words can differ from how the children or grandchildren use them, and in this case, we are only a few decades different in age. Imagine how different the meanings and connotations of words likely were two or three thousand years ago in entirely different languages!
If we want to know the original meaning of Genesis 1, then, we have to get in a time machine and try to determine how the ancient Israelites would have heard these words. It should not be too surprising that, when God inspired these words for ancient Israel, he inspired them in their language and in categories that they could understand. What a self-centered assumption it would be if we thought that the default meaning of Scripture is how it strikes me thousands of years later -- especially when the Bible tells us repeatedly that it was written to them!
Thus, the question of genre is in the first place a historical one. How did God inspire the author of Genesis to write for ancient Israel in such a way that they would hear what he wanted them to hear? What kind of text did ancient Israel understand Genesis 1 to be?
4.2.2 An Introduction
It should not be too controversial to claim that Genesis 1:1-2:3 is some kind of introduction. In fact, some would consider it to be an introduction to the first five books of the Bible, often called the "Pentateuch" or "five scrolls." As we will see, even though Genesis 2 continues the theme of creation from Genesis 1, it has a quite different flavor from Genesis 1. Many even consider them to be two different creation accounts for reasons we will explore in chapter 8.
A key observation is that Genesis is largely structured around the expression, "these are the generations (toledoth) of." [9] However, these do not begin in Genesis 1. They begin in Genesis 2 with the story of the man and the woman. It is thus easy to argue that Genesis 1:1-2:3 is at least a kind of introduction to the book of Genesis.
Many scholars would go further and consider Genesis 1 to be an introduction to all five books of the Pentateuch -- Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. Here we get into some debated territory as well in terms of who the author of Genesis was and when it was written. The traditional view since ancient times is of course that Moses wrote the Pentateuch. However, Genesis never mentions Moses and in fact the Pentateuch uniformly refers to Moses in the third person -- he did this, he did that, he went up on a mountain and died. Inductively speaking, most of the Pentateuch is about Moses but is not worded as if it is by Moses. [10]
Nevertheless, the New Testament, including the words of Jesus, seem to assume that Moses is the source of the Pentateuch. On the one hand, if we read the New Testament carefully, most instances actually refer to the words Moses says in the Pentateuch rather than the Pentateuch as a whole. There are no places where Jesus directly attributes a passage in Genesis to Moses. Yes, the New Testament can refer to the "Law of Moses" in a way that probably included Genesis (e.g., Luke 24:44). However, the way we refer to a collection is not necessarily a claim about every word in it. "The Law of Moses" is a fitting title for the Pentateuch because its primary contents are the laws of Moses.
A further consideration is the fact that revelation from God would seem to be "incarnated." That is to say, God reveals truth to us in ways we can understand. When you are studying physics, you can take physics with algebra or you can take physics with calculus. Both are correct but one is much more precise and detailed. Presumably when God speaks, he wants to be understood.
Just as we alter our language when we are speaking to a child, God surely "translated" his revelation into categories the original audiences would understand. He does not worry about Paul's "three story universe" of things above the earth, things on the earth, and things under the earth (Phil. 2:10). He did not worry that Paul apparently thought there were three levels of sky as you went up, with God in the highest layer (2 Cor. 12:2). Paul's "cosmology" was not the point of these passages. It was the "envelope" in which the letter of revelation came. It was the "flesh" the message took on (thus "incarnated" as in John 1:14).
What we are saying is that the fact that the New Testament seems to assume Mosaic authorship may have been the "clothing" New Testament revelation came in rather than the point of the revelation per se. It may have been the envelope rather than the contents.
We should mention one final possible distinction between how we think about authorship and how the ancients did. For the last five hundred years, since the rise of printing, we have mostly lived in a literary culture. We tend to think of authorship primarily in terms of the person who actually puts pen to paper (or finger to keyboard). Yet in the oral cultures of the ancient world, authorship was much more about the primary source of information rather than the scribe. In recent times, we still have the notion of a "ghost writer" who drafts material for the person whose name appears on the book. [11]
The point is that there would have been far less of a distinction in the ancient mind between Moses as the primary source of Pentateuchal material and Moses as the literal author as we tend to think of one.
The reason for this background discussion is to note that many if not most scholars believe that the Pentateuch has incorporated many sources, both oral and perhaps written, in the process of its composition. The most influential theory of this sort was of course the documentary hypothesis of Julius Wellhausen in 1878. [12] However, he was synthesizing observations that went back a century earlier, and of course his theories have been significantly modified and discussed in the last hundred and fifty years. [13]
One feature of those discussions that has remained is a sense that Genesis 1 was one of the last pieces of the Pentateuch to be written. In this theory, it would date to the late exilic or early post-exilic period (late 500s or 400s). Its origins are sometmies supposed to be "priestly" in nature. [14] In any approach of this nature, Genesis 1 certainly served as an introduction to the Pentateuch, and we would not be surprise to find it resonating with various elements in the Law.
Whether one goes with Mosaic authorship or modern compositional theories, then, Genesis 1 is arguably an introduction to what follows. The scope of the introduction is debated. Does it only introduce the first eleven chapters. Does it introduce the whole book of Genesis? Or is it an introduction to the entire Pentateuch? Probably most Genesis experts would say the whole Pentateuch.
4.2.3 Ancient Cosmology
If Genesis 1 is an introduction, into what category or categories would an ancient Israelite have placed it? It certainly has a narrative format, but it also has a clear structure with its seven days. Would an ancient Israelite have thought of it as history, cosmology, liturgy, epic, or yet some another category?What we are really asking is what other texts -- oral or written -- would they have compared it to?
Here, the Enuma Elish immediately comes to mind, the Babylonian creation story. Most scholars date its composition to the second millennium BCE, before the time of David. However, even then, it drew on older Mesopotamian traditions. At that same time, similar traditions were circulating in Egypt, Canaan, and an important city known as Ugarit. The Enuma Elish may not have circulated widely in Israel before the exile, but Israelites would have been familiar with similar texts. The exiles from Judah in the mid-500s BCE almost certainly would have encountered it in Babylon. [15]
Most find it highly instructive to bring the creation story in Genesis 1 into dialog with the Enuma Elish because of the clear contrasts. For example, where the Enuma Elish pictures creation as a battle between multiple gods, there is only one God in Genesis 1. [16] He fights no one. Rather, he speaks, and it is done. Such an exclusive sense of God as Creator was unprecedented in the ancient world. It would have been striking to any audience of Genesis 1 from that day.
Genesis 1 gives us God as unparalleled -- the other gods might as well not even exist. Similarly, the power of God over the creation is absolute. The primordial waters of Genesis 1:2 cannot resist his will. He tells them to separate and they do without any resistance (1:6-7). By contrast, in the Enuma Elish, order comes when Marduk defeats the salt water god Tiamat and, as in Genesis, divides her waters and distributes them throughout the creation.
The creation of Genesis 1 also structures the world for Israel, revealing an Israelite "cosmology." A cosmology is a sense of the universe and the way it works. Genesis 1 sees the creation of an orderly world that started out as tohu wavohu, chaotic and useless. The cosmology of Genesis 1 is a mirror of Israel's worldview. It reflects the regular rhythm of Sabbath. Plants and animals are created "according to their kinds" (1:12, 19, 24-25), hints at the worldview of Leviticus with its food laws.
Interestingly, the apostle Paul in the New Testament did not consider the Jewish Sabbath to be binding on Gentile believers (Rom. 14:5; cf. Col. 2:16). It seems likely that both Paul and Mark did not consider the Jewish food laws to be binding on Gentile believers either (cf. Rom. 14:14; Col. 2:21; Mark 7:19). Paul and Mark thus implicitly treat the worldview of Genesis 1 as an expression of Jewish identity rather than as a universal blueprint.
This is an important question for the interpretation of Genesis 1. Should we take it as an expression of Israelite theology or a historical, quasi-scientific exposition? If it primarily functioned for Israel to have a different picture of Yahweh than the peoples around them while introducing the Pentateuch at the same time, then probably its purpose had more to do with theology than science or history.
John Walton has argued that we should read Genesis 1 as an expression of ancient cosmology. [17] He suggests it has always been wrongheaded to try to translate it into a later cosmology such as ours. "If God aligned revelation with one particular science, it would have been unintelligible to people who lived prior to the time of that science, and it would be obsolete to those who live after that time." [18] So, he claims, God aligns the cosmology of Genesis 1 with the cosmology of Israel at the time of writing. That is, God expresses revealed truths by "incarnating" it in Israel's "language." He gives revelation the flesh of Israel's ancient cosmology.
What did cosmologies as a genre do in the ancient world? Walton writes, "Creation constituted bringing order to the cosmos from an originally non-functional condition." [19] And so, it would seem, Genesis 1 expresses the all-power of the one God who calls into existence things that didn't exist (Rom. 4:17).
4.2.4 A Yearly Liturgy?
For the last several decades, a number of Genesis scholars have speculated that Genesis 1 might be even more than an expression of ancient cosmology. Although it would be difficult to prove, they have made a compelling case that Genesis 1 might have been read and performed every year at the temple as a liturgy. [20] A liturgy is a ceremony of worship to a deity. If you go to church on Sunday, the service you attend basically consists of a liturgy of worship to God with songs, prayers, sermons, and more.
Someone might first think, "Where did that come from? There are no obvious clues in the text that would signal that interpretation to us in our world." However, John Walton and a number of others have argued that this meaning would have been obvious to an ancient Jew in their world, not least because of a worship event that took place every New Year at the temple where this text was "performed" every year. As Scripture, this text is for us, but it was not written first to us.
Several clues make this a compelling case. For one, the Enuma Elish itself was read every year at a festival in Babylon (the Akitu festival) where god Marduk was "reinstalled" in his temple, understood to be the universe. [21] Walton argues that the idea that God is building his cosmic temple in Genesis 1 would have been obvious to an ancient audience. [22] For example, the number seven appears pervasively in relation to temples both in the Bible and in its surounding cultures (cf. 1 Kings 8:65). [23] In Exodus 40:2, the Tent of Meeting is erected on New Year (cf. also Lev. 23 and Num. 29).
Here is the picture that Walton and others suggest. Every year as a new year began, Israel would have had a festival in which Yahweh was re-installed in his cosmic temple. [24] In the ancient world, earthly temples were often considered to be models that represented the much larger temple of the cosmos (cf. Heb. 8:2, 5). This would have been a 7 day festival, and the days of Genesis would have related to literal 24 hour days within the festival. [25]
The climax of the festival was then when Yahweh finished the building of his temple and then he moved in on day 7. The Sabbath is Yahweh resting from his work of fighting back chaos, ordering his temple, and then taking up his place within in. [26] Now that he is installed again, he will rule over the cosmos for another year. He takes his seat in the temple he has just built.
In the light of the ancient world and clues in the text, this case seems compelling even if it is perhaps not proven. It certainly changes the way we understand Genesis 1. It comes to be about much different things that our current scientific debates. It truly becomes "independent" of modern science in relation to creation. Genesis 1 becomes a yearly temple liturgy that takes place over 7 literal 24 hour days. This position is not proven, but it is a very reasonable suggestion.
[9] Genesis 2:4; 5:1; 6:9; 10:1; 11:10, 27; 25:12, 19; 36:1, 9; 37:2.
[10] By "inductively," we mean based on what the text itself says rather than traditions about the text.
[11] Celebrities especially tend to have individuals who do most of the writing for the books that appear under their name. They of course sign off on the material but may be more or less engaged in the actual process of writing.
[12] Julius Wellhausen, Prolegomena to the History of Israel, trans. by J. Sutherland Black and Allan Menzies. (A. & C. Black, 1885).
[13] For the current state of the discussion, see Joel S. Baden, The Composition of the Pentateuch: Renewing the Documentary Hypothesis (Yale University, 2012).
[14] E.g., Mark S. Smith, The Priestly Vision of Genesis 1 (Fortress, 2009).
[15] Cf. Alexander Heidel, The Babylonian Genesis: The Story of Creation (University of Chicago, 1951); Richard J. Clifford, Creation Accounts in the Ancient Near East and in the Bible (Catholic Biblical Association, 1994).
[16] The word for a god in Hebrew is el. Interestingly, the form used throughout Genesis 1 is plural: elohim. So it would most naturally refer to gods, plural. However, when it is used for Israel’s God, elohim consistently takes verbs and adjectives that are singular. Scholars debate why. Some see it as a “plural of majesty.” Others think it might reflect an earlier period in Israel’s history when a sense of plural gods was still common before the exclusive worship of Yahweh took hold.
[17] Walton, Lost World of Genesis 1, 14-21.
[18] Walton, Lost World of Genesis 1, 15. See also Jon D. Levenson, Creation and the Persistence of Evil (Princeton, 1988)
[19] Walton, Lost World of Genesis 1, 33.
[20] E.g., Moshe Weinfeld, "Sabbath, Temple, and the Enthronement of the Lord -- The Problem of the Sitz im Leben of Genesis 1:1-2:3," in Mélanges bibliques et orientaux en l'honneur de M. Henri Cazelles, A. Caquot and M. Delcor, eds. Alter Orient and Altes Testament 212 (Butzon & Bercker, 1981), 502-12.
[21] E.g., Walton, Lost World of Genesis 1, 89.
[22] Walton, Lost World of Genesis 1, 86.
[23] E.g., Jon Levenson, "The Temple and the World," Journal of Religion 64 (1984): 288-89.
[24] Cf. Judges 21:19. The Feast of Trumpets, while not on the first day of the year, has become Rosh Hashanah in Judaism, the Jewish new year.
[25] Walton, Lost World of Genesis 1, 90.
[26] Walton, Lost World of Genesis 1, 71-76.